Glen Mulcahy, the man who envisioned mobile journalism

Glen Mulcahy, founder of MoJoCon · Photo: Ana María Vicens · iPhone 7+

Glen Mulcahy, founder of MoJoCon · Photo: Ana María Vicens · iPhone 7+

6:00 p.m in Barcelona, 8:00 p.m in Kuwait.

Inés Martín, Content Manager at Shoulderpod interviews Glen Mulcahy via Facetime.

Who is Glen Mulcahy? The Head of Innovation at RTÉ, a Mojo trainer or the founder of Mojocon?

The politically correct answer is Head of innovation at RTÉ, because this is my day job, where I’ve been working for 18 years. However, as a part of that job I’m a Mojo trainer and also the Mojocon founder.

You are one of the pioneers of mobile journalism around the world. From a technology point of view, when did you see Mobile Journalism was a real possibility?

I started experimenting with mobile back in 2007, with a Nokia N95 and that was the basic building block. But it wasn’t until 2010, with the iPhone 4, that it really started.

Mobile Journalism is a game changer in the news industry. It transforms specialists into multidisciplinary storytellers. How do journalists react to this situation?

You get two reactions. There are the ones that are very comfortable in their jobs and are used to work with two or three other staff members to help them make a story.  So they hate the idea of being expected to shoot and edit for themselves.

But a growing number of journalists have realized that the news model, as we know it, is changing. They know that not many people sit and watch the six o’clock television news as they used to, and that that number will continue getting smaller and smaller. And those who are aware of the change, will learn the skills and perfect their own abilities to make themselves extremely desirable as employees.

How does the fact of recording with a mobile phone instead of using a broadcast camera influences a story? How does a smartphone help or limit a journalist?

There are two aspects: the technical and the aesthetic or psychological. The technical is that you can’t really zoom. The phone doesn’t give you the power to zoom that you get with a big broadcast camera. And the psychological impact of shooting with an iPhone, is that people aren’t intimidated at all. When you come in with a phone, with a small tripod and maybe one light, it’s much more discrete, it’s less intrusive, and people tend to be far more sincere and far more open as result.

In March 2015 the first Mobile Journalism Conference took place in Dublin. Why did you decide to organize Mojocon?

For the last six years I’ve been travelling around Europe, Middle East and the US, teaching people how to get the best of their smartphones as a creation tool. People were exited after doing a long week course with me, but when they go back to their newsrooms, the engineers would go: “It’s shot with a phone, we are not going to broadcast that”. And then they would email me going: “You lied”. And I got really angry, so I  thought the only way that we are going to make a difference and start open peoples' mind was bringing the people who were doing this well, to the same place. So the idea of Mojocon was bringing the community of people together and giving them a chance to share their stories and to learn from each other experiences. I also realized that there was a third partner in this equation, the people making all this apps and accessories that allowed this to actually happen.

In a highly competitive world, where knowledge ends up being the most important advantage, why do you think the Mojo community is so open to share all that knowledge?

I think we are moving to a new era where sharing is becoming the norm. I think everything in the social media is predicating this idea of sharing and I think we also need to see what the social media has done. Once upon a time TV stations used to sit on their little box, as if they were the voice of god. But now if the audience doesn’t like something, they let you know. The social media has made more players accountable, now you have feedback, and that feedback has a lot of value.

What can we expect from Mojocon 2017?

I would like to put the future back into the agenda of Mojocon 3.0. We want to look at where is going to go next, so we are going to continue growing the migration of mobile into the 360° space. We will still look at great case studies of people that have pushed the batteries on content creations with mobile, but we will also like to emphasize the fact that mobile will become a complete 4K ecosystem. Part of that ecosystem will be in the 360° video and the VR space, so we want to be able to open people’s minds to the potential of mobile for creation, not only in traditional mobile storytelling, but also in VR and 360° storytelling. We will also go through other aspects of the future as AI (artificial intelligence) or robots.

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Learn to shoot like a Pro-Mobile-Journalist with Philip Bromwell

GLEN MULCAHY is probably the most renown Mobile Journalist trainer in the world. He trains Mobile Journalists (#mojos) arround the globe for helping them create broadcast quality content using mobile phones and ultraportable equipment. In this Behind-The-Scenes video Glen films Journalist Philip Bromwell at work in Dublin while shooting a great visual story for the Irish TV (RTÉ). A report about photographer David Monahan's project to document the recent wave of emigration from Ireland.

For filming with their iPhone cameras both professional mobile journalists use the Shoulderpod S1 tripod mount for setting up their equipment. Watch the video and discover the great amount of movement and shots/angled required to create a good visual story.



  • iPhone 5S / 6 Plus
  • Shoulderpod S1 Tripod Mount
  • Moment Lens
  • Diffcase Cinema Rig


This is the final work from Philip Bromwell published by RTÉ News


Ana Prado, Shoulderpod's street photographer

Ana Prado with her brand new Samsung Galaxy S4 and her Shoulderpod S1 smartphone rig and tripod mount.

SINCE the begining of June 2014, Ana Prado is one of Shoulderpod´s street photographers. She joined us with the mission of being the "eyes" of a new generation, a generation of young and creative people who are changing our society thanks to a new, fresh and positive vision of the world.

Ana studied Photography in Galicia and is now finishing her degree in Comunication and Public Relations at the Universitat Pompeu Fabra of Barcelona. She works in one of Barcelona's most important advertising agencies and still has time to play guitar in a rock band after work.

When she first joined the team we equiped her with a Samsung Galaxy S4 and a brand new Shoulderpod S1. She actually started with a prototype of it, as the first real series did not came out from production until a few of weeks later.

The first set of imagers that we are proud to publish from her work is a group of 9 portraits which we have named "Portraits of a Generation". A vision of freshness, youth and positivism through the lens of a 25 years old #mobilecreative.

Take a look at Ana's work ant tell us what you think. (Click to enlarge images)

Are you a mobile creative?


Follow Ana Prado on:

Twitter: @anapradosobrino

Instagram: @anapradowork




How to shoot stunning images of an F18 with your Shoulderpod S1 tripod mount and an iPhone 5S

Shoulderpod S1 Tripod mount monopod rig with iPhone 5S from Paul Deach

WHEN mobile journalist Paul Deach raised his photo-rig over the threatening F18 turbines at the Farnborough Airshow last July 14, the whole US Air Force security crew got really nervous. This is what happened next.

As Paul himself explains in his blog post, “It was clear they had not seen anything quite like it before.  Most of the media pack they had seen that day were either carrying DSLR’s or high-end video camera equipment with CNN or BBC on the microphone mufflers. So before they would let me carry on they had to get their head of PR over but once I explained all the equipment and showed them a few photo’s I had already taken they relaxed and let me get on with it”.

Paul’s mobile equipment is the iPhone 5S camera mounted on a Shoulderpod S1 rig at the end of a telescopic monopod. He also uses an Olloclip wide angle lens and plugs the original Apple EarPods in his iPhone as a remote shutter release for taking those dramatic high angle shots. The setting might have seemed odd beside all that bulky professional gear around, but it allowed him to take the most stunning images of the show.

“The equipment I used allowed me to produce images from a different perspective than a lot of the images I have seen from the airshow, which in my view makes mine stand out from the crowd. The US Air Force seemed to enjoy them as their own Instagram account liked one of the images I took at their static display”.

Take a look at Paul’s images and let us know what you think.

Are you a mobile creative?

Contact us and tell us your story

While the rest of the press was taking conventional images at ground level, Paul's camera was taking amazing visual stories from 10 feet high

F18 turbines captured by Paul Deach using an iPhone 5S mounted on a Shoulderod S1 rig at the end of a monopod.

About Paul

Paul Deach

Paul Deach

Paul Deach is a hyper local social media marketing consultant based in Surrey, UK. In 2003 Paul founded the Surrey Residents Network which has become a major source of local information in the Surrey area. Exploiting freely available internet media technologies Paul created a significant news outlet which has become trusted by communities across Surrey. Its popularity attracted local advertisers who wanted to be associated with the Network and utilize Paul’s social marketing expertise. A strong advocate of  rich content based Social Media Paul has built up a portfolio of clients from large national organisations through to small local business all keen to take control and manage their media output.

Follow Paul:


Twitter: @PaulDeach

Instagram: @Deachy


iPhone macro photography

We've used an iPhone 4, an Olloclip lens and the Shoulderpod S1 as a stand

Today we've been testing the Shoulderpod S1 as a stand for macro photography. We've used some colorful shells as our main subjects and the results have been amazing. As you know, when shooting in macro it's extremely necessary to be super-steady. Normally you would use a tripod, but we've discovered that the S1 is an excellent support for when you don't have one with you. For some of the shots we've used the Olloclip macro lens, while for others we've just used the iPhone 4 naked glass.

Go deep into "iMacro" mode when traveling with the Shoulderpod S1 universal smartphone rig. We look forward to receiving your macro images soon! 

iPhone macro photography using the Shoulderpod S1 as a stand
iPhone macro photography using Shoulderpod S1 as a stand
Algae iPhone macro shot with Shoulderpod S1 tripod mount holder and stand
iPhone macro images using Shoulderpod S1 universal smartphone stand
Macro photography with iPhone and Shoulderpod S1 smartphone stand
Shell shot with iPhone 4 macro lens and Shoulderpod S1 tripod mount stand
Shells from Barcelona shot with iPhone using Shoulderpod S1 adjustable smartphone stand